Daniel Williams

Archive for January, 2012|Monthly archive page

Online Publishing?

In Miscellaneous on 30/01/2012 at 17:00

I have a new batch of short stories and, naturally, I’d like to see them published. I looked at submitting some off to magazines. Most magazines say they don’t print stories that have been previously published online. I can understand that. My thinking is- do the stories I choose to publish online have to be ones I consider not my best? I’d like to put some new stories this blog. People follow it and I’d like you to read my latest work. Surely the biggest chance of readership is publishing something on the internet?

I’m musing on this because, despite how fun writing itself is, I need readers. I don’t mind admitting I crave approval for my work. Otherwise I have to rely on myself and I’m my own worst critic. But that’s another matter. With online publishing there is a huge amount of potential readers. This is an extremely appealing prospect.

I’ve been thinking about publishing e-books on Amazon. This is a bit hypocritical of me, because I have been quite disparaging of the Kindle (or Kobo). E-readers have never really appealed to me. I like books. Not just what’s in them but the book itself. I like that there’s a books all over the house I live in. But of course, I was willing to throw this all aside when I read about the 70% royalties you can get via Kindle publishing.

In no way do imagine I’d become a major success publishing e-books. I imagine I could make a very small profit out of it. I think I know a few friends with Kindles who would buy an e-book by me. I don’t see myself making a major success, but just knowing I’ve got work waiting to be sold would make me feel pretty good. All the ‘publicity’ would be down to me, but even if I only sell ten copies, that would still feel pretty damn good.

So, watch this space. E-book publishing may be the next thing for me.

New Poems

In Poetry, Writing on 25/01/2012 at 19:46

The poetry blog, Dagda Publishing, have published four of my poems here. It’s an interesting blog. They’re just starting out and I’m really looking forward to seeing how they grow.

‘Rashōmon and Seventeen Other Stories’ (2006) Ryūnosuke Akutagawa

In Book Review, Japanese, Literature, Review, Writing on 17/01/2012 at 19:55

This collections splits eighteen short stories into four categories: ‘A World In Decay’, historical fiction and the stories that made the writer popular; ‘Under The Sword’, again historical fiction with focus on soldiers and samurai; ‘Modern Tragicomedy’, these stories take place in Akutagawa’s day, but with Kafkaesque or post-modern twists; and finally ‘Akutagawa’s Own Story’, possibly autobiographical stories, written shortly before the author’s suicide. In every story categories there is the strong voice of Akutagawa- a wryly comical cynic. The darkness and cynicism are most prevalent in the last two categories, as Akutagawa moves from cynicism with the world and people, to pessimism about himself and his own life.

My favourite stories in the collection were all within the first part of the book. Those include the ones famously turned into Akira Kurosawa’s Rashomon (1950). My favourite of these stories was ‘Hell Screen’, about an egotistical painter and his daughter. I really enjoyed the darkness and the hint of the supernatural with this story. It has an unreliable narrator, who spends a lot of time trying to defend a character. This technique came across as a little obvious, but in worked well the character.

It’s the last stories in the book that have been bothering me. Knowing that Akutagawa feared mental illness and eventually killed himself, these stories are hard to ‘enjoy’. Technically they’re very well written. ‘Spinning Gears’ is near perfect in putting together very short passages to build up an overall picture of distortion and nihilism. But I could never say I ‘enjoy’ these stories. I admire them.

I do really like Akutagawa’s style. His blend of darkness and humour appeals to me and I shall certainly want to read more by him. The Penguin Classic’s edition of Rashōmon and Seventeen Other Stories (2006) has been an excellent starting point. The stories are all of interest and these two great introductions, one by the translator, Jay Rubin, and the other by Haruki Murakami. Murakami’s introduction looks at the influence of Ryūnosuke Akutagawa on him as both a reader and a writer. But in trying to read more of his work, I’ll try to stick to the early stories.

‘Men Without Women’ (1927) Ernest Hemingway

In American, Essay, Literature, Writing on 09/01/2012 at 18:30

This short story collection contains two short stories that are not just my favourite Hemingway stories but two of my favourite short stories by anybody. So, this look at Men Without Women (1927) will be less of review, more in praise of Ernest Hemingway’s style and its effect on my own writing.

If you don’t know Hemingway’s style then this, his second collection of short stories, is an excellent place to start. There is a tonne of critical work and essays about Hemingway’s style that’s much more educated than this. To me, Hemingway’s style is short sentences, simple words, repetitive dialogue, and packing a hell of a punch. For me, the pinnacle of this is the story ‘Hills Like White Elephants’. I try to reread that story every couple of months just to remind me of how much I admire it.

I can remember first reading ‘Hills Like White Elephants’ some years ago for my Creative Writing class. On first reading I thought, ‘Huh?’ Then got what the story was about. I reread and it and that was it. It all fell into place. All the tension and action is under the surface and in the subtext. It’s a story about an abortion but the word ‘abortion’ is never mentioned once. That has had a great impact on me. One of the few rules I try and write by is to decide what the story is about and then try not to mention in the story. I hope that if I write well enough it should be apparent. I think I’ve achieved this twice, maybe three times. Still, I keep trying.

There are stories in the collection I think don’t quite hit the mark. I didn’t really get ‘Che Ti Dice La Patria?’ which I think realises too heavily on knowledge on the politics of Italy in the period before World War 2. That may just be me, though.

The best praise I can give the book is that as soon as I finished it I started Hemingway’s next collection of stories, Winner Take Nothing (1933). I preferred Men With Women, but Winner Take Nothing had some brilliant stories- ‘A Clean, Well-Lighted Place’ and ‘Fathers and Sons’. My copy of Hemingway’s The First Forty-Nine Stories (1938) is one of most treasured books. It was a Christmas present from a great friend and contains the majority of Hemingway’s published stories. Hemingway at his best is a great read.

Like so many others, Ernest Hemingway has been a big influence on my own writing. But the trick is to not to imitate him. Nobody can write like him. I just try to learn what I can about his techniques and apply them to my own stories. I can only hope I am successful without been derivative.

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