Daniel Williams

Posts Tagged ‘yukio mishima’

Favourite Reads of 2011

In American, English, Japanese, Literature, Miscellaneous, Russian on 26/12/2011 at 14:11

Presented- a list of the books I most enjoyed this past year. Circumstances gave me a chance to read more than ever this year. My selection is personal opinion and includes novels, short story collections and non-fiction.

Ray Bradbury- Something Wicked This Way Comes (1962)

Fyodor Dostoyevsky- The Brothers Karamazov (1880)

Bob Dylan- Chronicles, Volume One (2004)

Jennifer Egan- A Visit From the Goon Squad (2010)

F. Scott Fitzgerald- The Beautiful and Damned (1922); The Great Gatsby (1925); This Side of Paradise (1920)

Ernest Hemingway- In Our Time (1925)

Carson McCullers- The Heart is a Lonley Hunter (1940)

Yukio Mishima- Death in Midsummer and other stories (1966); Thirst For Love (1950); The Sailor Who Fell From Grace With the Sea (1963); Spring Snow (1966)

J.D. Salinger- Franny & Zooey (1961)

John Updike- Your Lover Just Called (1980)

Kurt Vonnegut- Slaughterhouse-Five (1969)

Steve Waters- The Secret Life of Plays (2010)

Richard Yates- A Special Providence (1969); The Easter Parade (1976); Young Hearts Crying (1984)

‘The Sailor Who Fell From Grace With the Sea’ (1963) Yukio Mishima

In Book Review, Japanese, Literature, Review, Writing on 27/08/2011 at 12:36

The Sailor Who Fell From Grace With the Sea (1963) is an odd book. It starts off with a 13 year-old boy spying on his mother undressing and it only gets stranger from there. The boy’s mother, Fusako, begins an affair with a sailor on shore leave. The sailor, Ryuji, has a love-hate relationship with the sea and dreams of a glorious destiny. The 13 year-old boy hangs around with a group of teenagers who call each other by numbers and believe they are geniuses in an overly sentimental world. This doesn’t sound too bad, but as the story progress the boy continues spying on his mother and the sailor, and his group of friends begin to put their theory that they are above others and are permitted to do anything into practice. Half way through the novel you can guess how it will all turn out, but, like a Greek tragedy, waiting for the moment of violence is part of the perverse pleasure of reading The Sailor Who Fell From Grace With the Sea. The ending of The Sailor Who… is a grim one, but anticipating the expected outcome had my heart racing while reading the last chapter.

The book is quite poetic in places. Unsurprisingly the imagery of the sea, ships and sailing occur throughout, but it never feels forced. In one moment a character wishes to have a hard heart like an anchor. That really worked for me.

Yukio Mishima covers some of the same philosophical ground as Fyodor Dostoyevsky in the group of boys who believe they are above others. But whereas Dostoyevsky’s characters have religion and his novels often end with redemption through suffering, Mishima’s only redemption seems to be through death. Maybe my judgement is clouded by the knowledge that Yukio Mishima ended his own life. There is a moment in the book when one character looks down on another for having failed a suicide attempt.

The Sailor Who… is a dark, violent and strange story, but none the less its made me curious about the author’s other works.

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